Originally published at: New “Woke” Feminist Terminator Movie Bombs | Infostormer.com
As expected, the new Terminator movie Terminator: Dark Fate has bombed at the box office.
Even with James Cameron and Linda Hamilton reuniting with Arnold Schwarzenegger in an R-rated sequel which stole from the Star Wars: The Force Awakens playbook, Terminator: Dark Fate once again failed to avoid Judgment Day because audiences just don’t care about the Terminator as a brand, an IP or a franchise.
Terminator: Dark Fate faced judgement day once again yesterday, earning just $10.6 million on Friday. The sci-fi sequel, directed by Tim Miller, produced by James Cameron, and starring franchise vets Linda Hamilton and Arnold Schwarzenegger alongside newbies Mackenzie Davis, Natalia Reyes and Gabriel Luna, was the third attempt to revive the Terminator series in a decade. McG’s Terminator: Salvation, a future war sequel starring Christian Bale, earned just $125 million domestic and $375 million on a $200 million budget. Alan Taylor’s Terminator: Genysis, a time-twisting retcon that paired Schwarzenegger with Emilia Clarke and Jai Courtney, earned $89 million domestic and $441 million worldwide on a $155 million budget, including $113 million in China. Tim Miller’s Terminator: Dark Fate, following the Star Wars: The Force Awakens playbook, is the third strike for the sci-fi series that won’t die and can’t live.
Jewish Hollywood has totally killed the Terminator franchise with progressively worse sequels. The promotional trailers for the movie featured a bunch of horrible “woke” feminist bullshit.
We’ve seen the same thing done with other movie franchises. Star Wars and Ghostbusters are just a few of the movie franchises that have been wrecked because a deliberate decision was made to push feminism. Or as was the case with Ghostbusters, they just replaced the White male characters with empowered feminists.
There are a number of YouTubers who have done detailed reviews of the Terminator film and the reaction has been overwhelmingly negative.
People just don’t want to see this type of shit any more but the Jewish movie industry doesn’t seem to care. Outside of the recent Joker movie, the vast majority of the films they are putting out are designed to socially engineer audiences into accepting increasingly more retarded societal norms. And they don’t care how many brands or franchises they destroy in the process.
